Douglas Nicholas​
The Power
Down in the sunken station,
they'd reverse ten-ton green-painted trucks
till they struck with a dismal clang
against a long raised dry-land pier;
there were train tracks
that ran in someplace, but I came on at midnight
or was it eleven, I never saw the place whole,
somewhere in Long Island City
as I recall, back three decades and down
three flights of steel stairs from the street
to an immense open space, drowned in a lake of shadow
pierced by the narrow shaft of gray dock
with its yellow pools of light from hanging lamps
fixed between the fretwork iron pillars
that upheld the shed roof
Out on the unsheltered night-air platform
it was as cold as a meat locker,
myself crouched deep in a half-empty truck body
with the breath smoking from my nostrils,
waiting for the next load:
about once each twenty minutes an aged Irish ape
with the thick wrists, the gray-stubbled brutal strength
to which I aspired,
would appear with a handtruck or a railroad flat,
piled to toppling with freight. At once
everything was movement and bustle,
the cartons wrenched off onto the concrete floor
and then ported into the cavern-bellied trailer
in reverse order, largest first,
the two of us grunting
and hissing as we heaved the containers up,
our boots echoing on the textured metal truckbed,
the boxes slowly stacking into columns
against the booming sheet-steel walls
Soon he'd be off, trailing a fading scent
of sweat and Old Limerick and a vanishing rumble
of wheels, a rattle of floorboards,
from the empty flat, leaving me alone
with the chill and the lunar hush, underlined
by the doleful electric buzzing of a switchbox
and broken now and then
by muffled ambiguous sounds
far away along the pier
They had the real power,
it's what all the boys want,
though they try to come at it crabwise
with their fast cars and their money,
big desks of Brazilian rosewood and gilt-lettered titles
on the frosted glass, drugs in the glove compartment,
tattoos vicious or sentimental, ambassadorships,
gold-capped teeth and posse colors,
well-cut suits, ribbon-slung medals,
that cowardly handgun
Sometimes the men would arrive in a small gang
with a special shipment, maybe a huge motor
the size of a young rhinoceros. They'd attack it
with six-foot low-wheeled levers; cries went up
of Watch your back, kid, as I scrambled clear;
they'd turn it right round
on the expanse of oil-stained concrete,
lining it up with the truck doors
I studied them as I waited for the power
to descend on me in some tongue of flame,
wondering if I would ever be like them,
able to plant a bracing foot
with the ponderous authority of a draft elephant,
to reach up with a broad red-knuckled freckle-rich hand
and haul down on the lever's end, joking aside the while,
hardly even looking at the cargo,
confident as they were that the weight,
crated in metal-banded splintery wood,
hunkered down on the dock and heavy as secret sin,
must come along, docile as your old dog,
when they summoned
​from EMILY BESTLER BOOKS, an imprint of ATRIA BOOKS, a division of SIMON AND SCHUSTER​